Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Adam Chmielowski
Antoni Sygietynski portrait

ID: 73280

Adam Chmielowski Antoni Sygietynski portrait
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Adam Chmielowski Antoni Sygietynski portrait


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Adam Chmielowski

1845-1916) was a Polish religious brother and founder of the Albertines. He is a saint of the Catholic Church. Albert is also known as Brat Albert (Brother Albert); in recognition of his holiness he has also been called the "Brother of Our Lord", "Brother of Our God", and "Our God's Brother". Adam Chmielowski was born to a wealthy aristocratic family, and initially studied agriculture with the intention of managing the family estate. Involved in politics since his youth, he lost a leg at the age of 17 while fighting in an insurrection. He became a well-known and well-liked artist in Krakew, his political convictions inspiring his interest in the human condition. A gentle and compassionate spirit, Chmielowski felt compelled to help those in need and after years of reflection, decided to follow his calling into the service of God. In 1880, Chmielowski joined the Jesuits, took up the name Albert and abandoned painting. He began a life of service to the poor. In 1887, he founded the Brothers of the Third Order of Saint Francis, Servants of the Poor, known in honor of their founder as the Albertines or the Gray Brothers, after their rough gray habits. In 1891, he founded the women's congregation, the Gray Sisters. The Albertines organized food and shelter for the poor and homeless.  Related Paintings of Adam Chmielowski :. | Kristi uppstandelse | Madonna with Angels Playing Music and Donor | St.Thomas in Glory between St.Mark St.Louis of Toulouse | The Great Upheaval | l offrande |
Related Artists:
Maillol, Aristide
French Art Nouveau/Nabi Sculptor, 1861-1944 French sculptor, painter, designer and illustrator. He began his career as a painter and tapestry designer, but after c. 1900 devoted himself to three-dimensional work, becoming one of the most important sculptors of the 20th century. He concentrated almost exclusively on the nude female figure in the round, consciously wishing to strip form of all literary associations and architectural context. Although inspired by the Classical tradition of Greek and Roman sculpture
RYCK, Pieter Cornelisz van
Dutch painter (b. 1568, Delft, d. 1628, Haarlem).
Vincenzo Irolli
Italian,1860-1942






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